.........
Yari Ostovany, who has two untitled paintings
in the show (one of w which earned him S100),
prefers a
more elusive approach to his art. But he too emphasizes
Language without words.
I rely on my subconscious," Ostovany says. "It's
more an emotion that moves me toward a painting rather than
a specific idea. What I like to do is focus on what is nonverbal
- a higher. nonverbal emotion."
The omission of titles to Ostovany's paintings serves a purpose.
he says.
If I attach a definition to it. it automatically eliminates
other definitions from it." he says. "And if the
viewers ask What it is, I say "I'm not telling".
That makes them look harder and think harder and that's what
I want a piece to achieve, my aim to activate the viewer."
Ostovany's paintings in the show -a huge mural of dark red
and black tones
of textile paints on paper and a smaller work of watercolor.
ink and graphite - are mood pieces. in a sense. The mural
elicits a feeling of nightmare and menace (perhaps?) and
the smaller one is more contemplative.
"
I feel the influence of surrealism is very strong in my work." Ostovany
says. "Also. I think what I'd like to do is. in a way.
to work toward making a synthesis of Western art and Persian
art . Ostovany is from Iran) -and not doing that at all stylistically
but breaking it down to the most abstract cultural elements
and attempting to synthesize from there.
"
A lot of people have told me some works of mine have an Eastern
feeling. Stylistically, my work is following European and
American traditions but content-wise, I'm trying to address
issues that have to do with my own cultural perception background...........

(Excerpt from article)